OCTOBER FALLS – A Collapse of Faith CD Debemur Morti Like all of this Finnish band’s releases it’s always recommended to listen while alone. Their dark yet hypnotic sound is not something you wish to share with guests. You’re better off just letting them borrow it or burn them a copy. I’d warn you because giving this or any one of their previous releases as a gift is akin to handing a gun to someone who is obviously suicidal. This band’s music is so miserable and weighty but yet so lush with that post Black Metal ambience that dances around your psyche.

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You can’t do anything when the music is playing except sit there, listen and contemplate life’s bleak outlook. Lehto’s vocals sound like some forest beast whose foot is caught in a trap, has lost his life long mate to a hunter and hasn’t eaten in a week. We’re talking some serious pain here people. Even when the acoustic guitar passages intertwine with the sheer electric intensity of melodies there is no breaking from the sorrow. A Collapse of Faith is simply the title track cut into three pieces lasting over forty minutes. I think of them, actually it’s mainly M.

Electa, Milano, 1998, descrive le origini, la storia, i significati e le trasformazioni avvenute nel tempo, di questo grande complesso architettonico sul quale insistono attualmente molte stratificazioni e che necessita, per un suo riuso e un suo rilancio, di un attento intervento di recupero complessivo. Avvicinamento al restauro. The use of and need for preservation standards in architectural conservation, atti del convegno del American Society for Testing and Materials (ASTM) Atlanta, United States, 18-19 April 1998, ASTM, West Conshohocken PA 1999, pp. In esso viene illustrato come la conservazione, il consolidamento ed il restauro del patrimonio architettonico richieda, prima di tutto, una piena comprensione del comportamento strutturale, delle caratteristiche materiali e delle cause di danno e degrado. Solo in questo modo possono essere valutati i livelli di sicurezza e decisi i rimedi relativi. Aspetti metodologici –strutturali sono esposti nel testo: Giorgio Croci, Alberto Viskovic, The pyramid of Chepren, the Colosseum and the temples of Angkor: diagnosis and safety evaluation in: AA.VV.

Lehto who handles everything with two other guys on bass and drums, as a more Doom like DRUDKH. Contact Me at: for anyone who wants to submit material for review, please read this first. Scumfeast Metal 666 concerns itself with Extreme Metal & Sounds.

Starting in 2012 I'll only be accepting review material that falls within the following genres: Black Metal, Death Metal, Doom, Thrash, Grindcore, real Hardcore/Crust/Speed Metal, classic NWOBHM, Classic Metal. Pagan/Folk Metal, Punk Metal and certain Dark Sounds. I cannot promote what I like when I'm being flooded with stuff I don't really care for. Secondly I'm not gonna write a review from listening to your Reverbnation page. Atleast with Bandcamp I can have the music running on continuous play while I walk around the house doing mundane chores if you know what I mean.

So if you want me to pay attention than please send a download link of your release which I can listen to at my leisure. I don't share files or leak stuff so your art is safe with me. Extreme Metal or Music is generally a form which is accepted by 1% of all of the music loving public.

It is elitist in every way and that's important to those of us who call ourselves fans. The 99% of people who will not like it are Not Supposed To. The music wasn't made for them, 'the masses'. It's music that's for those who take things to that 'other' level. There is nothing hip or fad about it.

In fact we treat those two notions very harshly. Scumfeast Metal 666 concerns itself with the Extreme side of the following genres: Black Metal, Death Metal, Doom, Thrash, Grindcore, real Hardcore/Crust, classic NWOBHM, Folk/Pagan/Viking Metal, Drone/Noise and various Dark Sounds. Do not consider the opinions read here to be the same as you would read on other music sites. Being objectionable is not our mission.